Don’t forget that in
life’s rough and tumble motives aren’t the point.
Welcome to the “rough and tumble” world of Raduan Nassar and
his short but bitter description of human relationships, and the motive? That’s
not the point.
Here’s a short review for a very very short book.
The shortest book on the 2016 Man Booker International Prize
longlist for many a year (I can only think of poetry books and chapbooks that I
own that are shorter than this work), is the Brazilian “A Cup of Rage” by Raduan
Nassar (translated by Stefan Tobler). Originally published in 1978, under the
title ‘Um Copo de Cólera’, and
running to a mere 45 pages this publication is not a weighty read, however it
isn’t a shallow one either.
Our book opens with the distant allure of our male
protagonist nonchalantly eating a tomato sprinkled with salt, he knows that his
detached approach is fuelling a lustful desire in his partner. Our story then
moves to the bedroom and we continue the detachment with distant observations
that our male believes will be forthcoming in the love making, descriptions of
feet, hands, hair, these are more detailed than the act itself.
A mere seven chapters, with six of them taking up less than
fourteen pages, each chapter is written in long melancholic single paragraphs,
in fact single sentences, pages and pages of single sentences, this work,
although short, is not simplistic nor conventional;
It was already half past five
when I said to her ‘I’m going to jump out of bed’ but she wound herself around
me like a creeping vine, her claws closing where they could, and she had claws
on her hands and claws on her feet, and a thick, strongly smelling birdlime
over her whole body, and since we were almost grappling each other I said ‘let
me go, little bindweed’, knowing that she liked it when I spoke that way, so in
response she said. Feigning solemnity, ‘I won’t let you go, my grave Cypressus erectus’, her eyes beaming
with pride at her impressive repartee (although there she wasn’t well versed in
botanical matters, even less so in the
geometry of conifers, and the little that she dared flaunt concerning plants she
has learnt from me and nobody else), and in the knowledge that there are no
branches or trunks, however strong the tree may be, that can resist the
advances of a creeper, I tore myself away from her while there was time and
slipped quickly over to the window, immediately raised the blind and felt on my
still warm body the cold, damp air that started to get in the room,…
Broken into seven chapters, as described above, the opening
revealing our manipulative male alluring the younger woman and the subsequent
sexual actions, the longer middle section containing a destructive,
unexplained, bitter battle of words and wits, and an ending which I will not
reveal here, this is a work that contains a raft of quotable observations, our
rich older male landowner, moves from lover to enraged verbal abuser, the
catalyst for his behaviour appearing to be him observing ants destroying his
prized hedge;
…livid with these wonderfully
orderly ants, livid with their model efficiency, livid with how fucking
organized they are that they left the weeds well alone and ate my privet hedge
An observation that flies in the face of his own behaviour,
an organised, calculating, efficient, scheming man who is now rebelling against
all he stands for. Our counterpoint to his outrageous boiling over, is a
younger successful journalist female, a wisecracking, often laughing,
intellectual who can verbally deflate even the most boisterous of egos. “In
short the little miss could never get enough of this ‘old man’.”
The wise observations are scattered throughout:
I who was – methodically – mixing
reason and emotion into and extraordinary alchemical amalgam.
Not forgetting that reflection is
nothing more than the excretions of the drama of our existence, foolishly put
on a pedestal by us.
A work that explores the manipulative side to relationships,
the allure, the sexual desire and then the destructive, often violent,
reactions, the perpetual spiral of self-destruction, the slipping away from
attraction and into rejection.
Although an intriguing work, with gems scattered throughout
and a wise view on relationships, however, personally I feel this is a short
story, even too short to be classed as a novella, and this has to be a major hindrance
as to the book’s ability to even make the shortlist, let alone take out the Man
Booker International Prize itself.
2 comments:
Thanks for your review, Tony. I hope you're wrong and it does progress to the shortlist. I think the important thing is the writing, not the length. But since you're talking length, I would like to take the opportunity to mention that this novella appears shorter in English because of the small typeface used by Penguin Modern Classics. The definitive Portuguese edition comes in at 82 pages (not including the paratexts) and it makes for a perfectly respectable 82 pages.
Thanks for stopping by Stefan, I am honoured. For your sake I do hope this book progresses further, being a Shadow Jury judge I'm being a little ruthless, but in my opinion this is a far superior work to a number on the longlist. I wish you well, in both And Other Stories progress, and with the Man Booker International Prize nomination.
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