As the title gives away our story is dedicated to World War
One and with a French author, it is not that complicated, it is the story of
the French!!!
Our short tale opes with Anthime taking a cycling break on a
windy afternoon, strapped to his bicycle is a large book. Whilst out, the bells
toll to herald the beginning of the Great War but due to the howling wind it
takes Anthime sometime to hear them. Rushing back to the village, unbeknown to
Anthime, his book falls aside, open on Chapter 2, Book 4 of Victor Hugo’s “Ninety-Three”,
“they have ears but they hear not”. Arriving at the town square he meets
another of our characters, Charles, who informs him “it won’t last longer than
two weeks at most.”
And the next morning, they all
found themselves at the barracks. Anthime had arrived there quite early, having
joined his fishing and café comrades along the way: Padioleau, Bossis, and
Arcenel, that last mumbling complaints about celebrating the occasion too long
into the wee hours the night before, stirring up haemorrhoids and a hangover.
Padioleau, slightly built, a touch timid, thin-faced with a waxy complexion,
had nothing of the sturdy presence of a butcher’s boy, even though that was, in
fact, his profession, whereas Bossis, not content with possessing the physique
of a knacker, actually was one. As for Arcenel, he was a saddler, a craft that
presupposes no particular habitus. In any case, each in his own way, these
three took a great interest in animals, had seen lots of them, and were going
to encounter a great many more.
And so our story introduces the fellow volunteers. Our other
main character is Blanche, for whose heart both Charles and Anthime compete.
This is a story with shallow explanations, leaving a lot to
the reader’s imagination, short anecdotes covering complex situations, such as
Blanche going to meet the local doctor:
To the general practitioner she
explained her situation, showing him her figure under her clothing, and the
exam did not take long. Palpation, two questions, diagnosis: definitely,
declared Monteil, you are.
As our inner sleeve explains this is not simply the story of
six characters, it is the story of the war itself, with villages abandoned by
the young men, the harsh living conditions, the trenches and the fear all
deftly sketched to recreate an event of one-hundred years ago.
This slog lasted all autumn and
became so routine that by the end they’d practically forgotten they were
marching. Which wasn’t that bad, after all, one kept busy that way: the body
mechanically set in motion left one free to think about something else or more
often plain nothing, but the procession had to halt when the war seized up in
the winter. What with all this advancing against one another until both sides
found themselves unable to extend their positions, it had to happen: everything
froze in a standoff during a serious cold snap, as if troop movements had
suddenly congealed all along the great line from Switzerland to the North Sea.
It was somewhere along this line that Anthime and the others found themselves
paralyzed, bogged down in a vast network of line trenches tied together by
communication trenches. This whole system, in principle had been initially dug
out by the army engineers, but also and above all by the soldiers, since the
spades and picks they bore on their backs weren’t there just for show. And as
time passed, by trying every day to kill the maximum possible of those across
the way plus crawl forward the minimum number of yards the high command
required, that’s where they plowed themselves under.
Without giving too much of the story away, we do have the usual injuries, deaths, executions after a court martial and of course the rats and lice. This work has a distant observation of the action, almost
clinical in observing the effects of the war on our cast, there is no room for
sentimentality and a mood of detachment pervades throughout. A short work, this
addresses the events of 100 years prior in a way we not often see in historical
fiction, not a family saga, nor presenting the political views of the
protagonists, this is a welcome addition to the European world war genre.
Personally I was a little surprised that this didn’t make
the shortlist of the Best Translated Book Award, as there are a couple of other
works on that shortlist which I feel is slightly inferior. Maybe the impact of
the size (only 109 pages) or the war theme distracted the judges, however a
work I would recommend to any reader who enjoys the historical novel and
especially European war fiction.
1 comment:
Echenoz is one of my favourite authors - and this was one of my favourite books last year. I couldn't believe it didn't get a UK publisher on the hundredth anniversary of 1914!
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